Lauren Krass at The Duplex

Lauren Krass

A Krass Act

The Duplex, NYC, January 12th, 2018

How do you move beyond your dad walking out on your family at the age of seven? You write jokes about it and become a comedian. At least that is what Lauren Krass did for her show “A Krass Act” where she exemplified the modern conception of bravery by showcasing the extent of what dirty laundry might be lurking behind the veil of her black dress.

Of course in some cases it was actually dirty laundry. Spinning a lot of jokes through the lens of romantic rejection, she had arguably her most memorable story about thinking a former flame had left a spillover from steamy drunk sex the night before on her birthday dress. Only to later discover through sly detective work that it was actually tears and the powdered sugar of donuts. Ah, and the trivialities of dating in New York City, aren’t bad enough?

Yes, the show and her jokes take after its title and Lauren’s apt last name. She was crass, bold, and easily entertaining turning often actually pretty serious stories about alcohol and reconnecting with lost fathers into not so subtle jabs at the mysteries of now old world words like Myspace.  If you’re looking for a performer with a firm grasp of irony and enough of a sense of humor to make light of basically everything, Krass is most certainly your gal. I think that the best part of her performance is that she seems to be genuinely comfortable with who she is and excited about where her work will take her.

Photo taken from LaurenKrass.com

For more info on Lauren Krass check out LaurenKrass.com.

It's Getting Tired...Mildred at Under St. Marks

This review of It's Getting Tired Mildred at Under St. Mark's Theater was written by Christopher M. Struck and published in Volume X, Issue 7 (2017) of the online edition of Applause! Applause!

It's Getting Tired Mildred
Written, Directed & Produced by Roger Nasser
Lighting Design & Board Operation by Berit Johnson
Costume Design by Karle J. Meyers, Kaitlyn Day & Holly Pocket McCaffrey
Theme & Score by Stephen Sabaugh
Under St. Mark's Theater
94 St. Mark's Place
New York, New York 10009
Reviewed 10/7/17

Welcome to the town of Mildred Springs or should I say "Welcome Back." This show's premiere episode this season at Under St. Mark's Theater is also the 24th episode of It's Getting Tired Mildred. Most of the cast returns as well marking this particularly interesting and unique drama (at least as far as theater in New York is concerned) as a bit of a celebration for the myriad of regulars (in attendance) who have enjoyed the series over the past three years. Roger Nasser, the writer, director, and producer of It's Getting Tired Mildred (under the name Six of Six Productions) is to be credited for bringing variety to the New York theater scene with this "soap opera for the stage."
 

image of the cast from their facebook page - much fun!

Set in the town of Mildred Springs in 1985, this farcical dramedy relies on cliches and hijinks to satisfy and enamor the audience. It does a good job too by consistently varying the delivery and timing of punchlines during short bits that showcase characters with obvious history, chemistry, and rivalry. Like any good soap opera, there are affairs, personality clashes, emotional traumas, and hidden secrets. Each of which the writer ramped up on overdrive as the cast features 22 performers and everything seems to need to be achieved in five minutes or less. Often lovers are traded in from nearby scene to scene or covert affairs are revealed just as one unwitting lover leaves the stage. After the bare minimum of witty banter, social niceties and norms are cast aside for a raucous turn on the community couch with the lights fading to black just as the actors lock in an overly passionate embrace. You'd feel bad for one dame only to find she's screwing someone else behind her lover's back too.

While the production does rely on at times egregiously simple dialogue to drive narratives and heighten the drama, it compounds so quickly that you can't help but laugh. For example, one cast member was replaced by a new actor and the character had just gotten married, so when describing his marriage in the first scene, he triumphantly stated, "I'm a different man!" It's almost like an anti-joke where the lack of a punchline forces you to chuckle where you expected to anyway and then you laugh more in an attempt to justify your laughing. Part of this is because the actors are so serious about their roles strutting in or sulking or sauntering to take their simultaneously stereotypical and important roles from oversexualized hypnotherapist to the family patriarch. It's posh, camp, flamboyant and also extremely well-orchestrated. 

A number of the actors here are fun to watch like the lead woman in the "Milton" family who has dominated Mildred Springs, Charmaine Milton, played by the exquisitely dressed Morgan Zipf-Meister. She is about to confront her father, the lovably evil patriarch, Cornelius Milton, played by an equally talented Linus Gelber. A grave secret found within a file aptly labeled "secret" has been slowly spreading from character to character. It threatens to change everything we know about at least one character and perhaps two. Roger Nasser, the show's writer, understands that newcomers may not know all of the background and thankfully he has built some history into each little bit. Although for some reason it seems easier to figure out who's sleeping with whom than what each character's name is. There is a lot to look forward to in Episode 25 on Saturday, November 4, 2017, at 10:30 p.m. at Under St. Mark's Theater. Get advance tickets by visiting www.horsetrade.info 

Check out their facebook page too - https://www.facebook.com/Its-Getting-Tired-Mildred-1544140389173208/

Trump Lear at Under St. Marks

This review of Trump Lear at Under St. Mark's Theater was written by Christopher M. Struck and published in Volume X, Issue 7 (2017) of the online edition of Applause! Applause!

Trump Lear
Written & Performed by David Carl
Co-Created & Directed by Michole Biancosino
Sound Design & Voiceovers by David Carl
Videos by Mark Stetson & David Carl
Tech by Michael Montalbano
Under St. Mark's Theater
94 St. Mark's Place
New York, New York 10009
Reviewed 9/30/17

I walked into Trump Lear with two lingering questions/doubts revolving around the idea of how Lear relates to Trump because Lear is a much different character. These questions were: "How respectful is the story to King Lear as a play?" and "How exactly does this play relate to Donald Trump?" David Carl, playing the role of Carl David, answers those questions pretty quickly. The first bit of the play discusses the literary and theatrically important significance of King Lear, even listing off a bevy of iconic actors who have mantled the role over the years including Ian McClellan, to which Trump responds, "Gandalf?"

In fact, David seemed to get two things mainly right with this play which made for an entertaining spectacle filled with laughter - Lear and Trump. Pitted against himself with a slim chance of saving his own life. David must perform his one-man King Lear for a tyrant Trump under bright interrogation lights. Trump, a disembodied voice "attached to a camera," says things like "Do you think I'm losing my mind, Carl?" and uses it as an opportunity to garner internet fame by live streaming the performance on YouTube revealing this to David only after he has broken down crying. Trump also breaks for commercials which simply portray him as the richest, smartest man alive. So far, so good.

The funny thing really was that David didn't have to stretch the truth to make a great play. He won his right to live from Trump by telling the truth. At the same time, the fictional Trump presses a lot of David's buttons and even makes reference to the fact that David should be thanking him; the stark reality being that David has made a decent living off of impersonating Trump. David responds, "Art was doing just fine before you came along."

David did a fantastic job putting it all on the line for art. While Trump Lear may not deserve the same level of virtuoso praise the original garnered, David has captured lightning in a bottle with this brilliant comedy. Ultimately, you don't need to hate Donald Trump to enjoy the show. Loving King Lear will not negatively impact your opinion. Loving Donald Trump might, but I'm not sure. I don't think much about and don't hate Donald Trump - and I love King Lear. I enjoyed this show. It's worth more than a few laughs for less than a few bucks. Better than expected. To see it, check out:www.trumplear.com 

Photo from David Carl's website - see here: http://davidcarlonline.com